Ink Engine Issue 1The first issue of Ink Engine was out in December. Ink Engine is a 24-page mini-comic of drawings created by the five person collaborative of the same name. Alea Adou, along with partners Dajana, Daniel, Lindsay, and Matt, all recent graduates of the University of Wisconsin graphic arts program, take turns crafting 3-4 pages of art along a common theme.
Their styles are different enough to add variety to the project, while also preserving a common feel. My issue came with a ziploc bag of goodies to accompany the mini-comic, inlcuding a fold out camera named the Cutie Cam: Twin Reflex Camera and a tiny envelope with the legend, ""What can you do with this junk?" Inside the envelope was an orange button, a tiny piece cut from a magazine illustration, a few small illustrations from the mini, and backing paper from a sticker - sans sticker.
Isue one of Ink Engine is $4. Visit their MySpace page or or blog for details.

Warren Craghead’s New Site
From Warren:
“I've updated and moved around my website - it's now at www.craghead.com. The old wcraghead.com will still host my blog and will point to the new site. I've added a couple new things: links, bio, press, plus more sample pages of books and a new blog of my postcard drawings postcards AHOY.

One brand new thing is a new book Lisboa, Lisbon which is based on my trip to Portugal last fall. Lisboa, Lisbon is available for reading on the new site or as a free PDF download that you can fold up, staple and play with. I'm releasing it with a Creative Commons license which means you can copy it to your friends, send it to anyone and even remix it as long as I get some credit and you don't sell it.”

Warren is a great guy and I really love his work. Peaceful, contemplative lines converge on the page in a way that immediately relaxes you. Be sure to check out his postcard blog as well.

Entropy Issues Three and Four by Aaron Costain
Both issues three and four of Aaron Costain's Entropy are cat-centric. Issue three is a silent cat story that begins with a cat waking from a nap in the forest and ends with the same cat curling up on a comfy living room couch. In between, the cat stalks birds, stretches its legs over short graceful sprints, and stumbles upon another cat.

Aaron's art is very precise. The lines forming shapes and figures are very bold and deliberate. Although he uses organic shapes like leaves and bushes, he also generously uses non-organic patterns to fill in backgrounds. In one three page sequence, he moves simple black ink backdrops to tightly grouped vertical lines to four different types of foliage and then finally to tightly grouped horizontal lines. This lends the panels a feeling of movement. The reader's eyes quickly follow the cat's lithe body through these changing backgrounds.

Issue four of Entropy is less focused on art and backgrounds, but more focused on plot. Once again a cat takes center stage, but this time she interacts with an eagle and a wild boar. All three characters are mothers laden with growing broods.

Crafty as any cat can be, this cat gains the confidence of both the mother eagle and mother sow. The cat slyly plants nefarious thoughts into both eagle and sow's minds, playing on their maternal instincts.

This is a brutal story that leaves you cautiously eyeballing your own cats as they slink through your house. Both of these minis are a nice addition to the Entropy line of comics. Check out Aaron's website. You can find his comics at The Beguiling, Quimby's, Chicago Comics, and Strange Adventures in Halifax. You can also contact Aaron directly at acostain@gmail.com.

Entropy issue three is 8 pages for $3. Issue four is 24 pages for $4.

The Rosie Stories by Diana Tamblyn
You know how mini-comics can be about anything the artist wants, right? Well, Diana Tamblyn's The Rosie Stories is about her love for her new baby, Rosie. This comic feels so personal and so right with the world, that you start to feel a kinship with Rosie, Diana, and her husband. That's part of the charm with mini-comics; while the big comic publishers push the same old crap on a captive audience, minis and small publishers are free to explore the important things in our lives. With Diana's new comic, you know exactly where her passion lies (not to pigeonhole her though, she also sent me a neat litle mini that mixes up some single panel pages, Poor Sailor style, devoted to some local musicians).
The Rosie Stories is split into four sections and an introduction over 16 pages. It begins with a prelude to Rosie's birth. Diana has the fears, uncertainty, and then the overwhelming joy as Rosie is born. A highlight of the mini to us outsiders are the crazy-cute "Lil Rosie" stories. In these two stories, Diana's Rosie reminds the reader of a younger Lucy from Peanuts. She's cute but headstrong.

Diana's art is a good mix of bold lines and strong black and white art. Occasionally you feel overwhlemed by her facial expressions and heavy line, but you always know where she stands in relation to ther art. She's never indecisive. I always appreciate her commitment to her work and she gives everything up to the reader in this very personal story.

Check out her website for samples of her work. Diana has a nice back catalog of minis available and she's a very consistent and honest artist. Tthe Rosie Stories is still available for $3 from her website.

The Chunky Gnars by Chris Cornwell For those of you lamenting the early demise of Cold Heat in pamphlet form, you'll be happy to find Chris Cornwell's salute of sorts - The Chunky Gnars. The cover of Chris's mini takes the form of a flier for a Chocolate Gun tribute band called The Chunky Gnars. Inside you'll find a tight little story starring Castle and the ultra creepy Senator Wastmor. The Senator is still pissed off and hopes to use the lead singer of The Chunky Gnars for revenge.

Over 16 pages, Chris does his usual fantastic job of mixing up panel structure and patterns, moving effortlessly from four or six panels to 36 tiny panels of silent images. The story feels comforting and familiar to Cold Heat readers and Chris is talented enough to play with the characters in a way that doesn't feel cheap or inappropriate.

If you're infamiliar with Chris's work, check out his stuff on the Locals Rule page at Pittsburgh's Copacetic Comics or past reviews here at Size Matters.
Get your own copy of Chunky Gnars from the Picturebox website for only $3.

Capacity #7 by Theo Ellsworth
If you’re not familiar with Theo’s work, he strikes the perfect balance between children’s storybooks and comics. He's wildly imaginative and just a little bit silly. Reading issues of Capacity, or anything else of his, is always a lot of fun. Often the level of detail and obsessiveness is a bit startling, but this tendency keeps you engaged as you read. See what I mean. This 32-page comic has two longer stories ("Witch Medicine" and "Wizards Tale") and several one page pinups and gags. "Wizards Tale" features a man who comes face to face with every dream he had ever dreamt. Here's a page from that story.
An example of one of the gag pages.
For more of Theo's work visit his website. His stuff can be found at Chicago Comics and Quimby's. If you aren't near Chicago Comics or Quimby's, you can buy Theo's comics online at the excellent Secret Acres online shop. Capacity issue 7 can be yours for $5. Grab issue 6 whie you are there for $3.50. You won't be sorry.

The Treehouse and Other Stories by Davi Shy
Davi Shy turns in a quiet mini-comic with the saddest goldfish story you will ever read. Seriously. Treehouse is five short pieces over a dozen pages featuring her meditations on daily life.

What sets this mini apart from many others mining this same vein is the dash of color she uses throughout these stories. In "Welcome to the Treehouse II" she begins with different shades of safe and secure blue. In "Other Stories from Summer 2007," she expands the color palatte with the shock of light green leaves just outside a window. In "Everyday Dilemma" and the goldfish story, she introduces shades of pink and red.

You don't see many $2 mini-comics that use color and it's enough, along with the sad fish story, to set this one apart. Davi ably captures the small moments in life; the most accomplished panels feature still life drawings rather than movement or action.

Check out more from Davi at her blog. You can buy copies of Treehouse for $2 from Chicago Comics.

From 9am to noon this Friday, Chicago Comics is having a 30% off sale. Kate and I were already planning on going to Chicago for Thanksgiving, so it looks like I'll be saving myslf 30% on comics. Nice.

Magic Hour Issues One and Two by Alex Holden
Alex Holden’s Magic Hour captures the curious mix of childhood reality and unreality. Ricky gets mixed up with Black Eye Eddie, who may or not be a zombie. The other kids are certainly sure that Eddie and his sister Carlotta are more than they seem. Ricky and his friends are focused on tagging trains and walls with lifted spray paint, but along the way they run into a few problems.

Issue one of Magic Hour is two stories in one package. The second story, “Stay Out of the Gorgon Yard,” is actually a separate 24-page mini-comic stapled into the main mini-comic. The art in “The Gorgon Yard” is light blue against a pitch black paper. This color scheme gives the story a nice creepy effect.

Alex’s art matures a bit with the second issue. His lines, more assured and confident, are thickly drawn and his backgrounds are sketched out just enough to suggest a convincing backdrop for his tales.

The second issue is part one of a story titled “Field Trip.” Ricky and Black Eye Eddie hook up with the older teen, Moose, to tag some trains. Most of the issue details the quest for spray paint, but Alex drops a tantalizing surprise on the last page of this 18-page mini.

Reading these two comics leaves you with the weird sense that anything can happen in Magic Hour. The possibilities are endless, just like that feeling you had when you were a kid running on the streets –that weird old lady’s house is most assuredly haunted, and the big old dude in the wife beater that lives down the street certainly eats children. These types of little details pop up matter of factly in Magic Hour with regularity and Alex does such a good job of telling his story that you don’t question where the story goes.

You can check out Alex's blog and pick up copies of Magic Hour for $2 at USS Catastrophe.

Road of Knives by Zak Smith and Shawn Cheng
Road of Knives is a print version of Zak Smith, Shawn Cheng,and Nicholas Di Genova’s excellent battle blog, Road of Knives. In the foreground of the first panel, Zak drops in a nightmarish beast hunched over with an absurdly large axe. Underneath in the next panel, Shawn draws a pair of ominous-looking, ferociously armed serpentine warriors – and a much less ominous little guy. This little dude looks totally out of place. He’s definitely outclassed by the other menacing figures on the page.

On the next page the battle begins; coiled figures unload on each other as swords slice through flesh. On page 5 the little dude is almost crushed by a severed head. He disappears after that as the battle heats up. Later on page 11, you see him hauling ass away from the battle site. At this point, both artists’ canvases expand. The monsters grow to terrible heights, filling the page with their swollen and grotesque bodies.

Both artists excel at this type of subject matter. And this format allows unfettered imagination and a ridiculous game of one-upmanship.

Road of Knives features 16 pages of beastly carnage underneath a gorgeous silver screen printed cover. Get your copy for $2 from the Partyka online store.

Souther Salazar this weekend at GR2

All you folks on the West coast might like to attend Souther's show at GR2. I know I'd go if I was anywhere near LA.



Make It Real at GR2, October 13 - October 31
Reception: Saturday, October 13, 6:30 -10:00

GR2
2062 Sawtelle Blvd.
Los Angeles, CA 90025
(310) 445-9276