Showing posts with label George. Show all posts
Showing posts with label George. Show all posts

Monday, August 20, 2007

This is Still America: Part Two by George
Last September, we took a look at This is Still America. I recall being very surprised by the line art. George has a very distinctive way of drawing his lines, especially in the background. Forms are not fully drawn; they're more like suggestions of a drawing.

That's been toned down a bit in the second issue, subtitled "Where the fuck is everybody?"
This issue is much more grounded in reality than the previous one. George concentrates on the dreary past with his overbearing and physically abusive father. There's less of the soaring dream sequences and more pain. The father is mentally and physically abusive to the son, showing you how easy it is for the child to seek an alternate reality.
Things do get very weird in the end when the father makes a bonfire with his son's toys. Any reality melts under the pressure of so much anger.

Like the first issue, this one is only $2. It's 32 pages of black and white art with a very cool blue edge to each page. The first issue featured red bleeding edges on all the pages. These little details really make George's minis stand out. You can get your copy at Bodega Distribution.

Thursday, September 21, 2006

This is Still America by George

This is Still America: “It’s the same Every Time” has one of the most interesting covers I’ve seen lately. George (no last name given) takes thin graph paper and draws a boy’s huge head front and center. Down the left spine the title of the mini really draws your attention with effective use of color and shape. It’s quite striking. The more subdued back cover is almost as arresting. He uses red lines that remind you of something you would get from an Etch a Sketch to create a background for the main image. I hope this comes through in the scan that I’ve made.
Inside, George does something very odd with his line work. Figures are fully outlined, but delineating features fade in and out, or don’t exist at all. Background lines are half formed. It’s as if he’s made the full drawing and then went back and erased bits and pieces. It makes the reader fill in the blanks, but really requires very minimal effort. In fact it lends a dreamy quality to the whole story. You’re not sure if you’re in the past or present without the story cues.
The story fades in and out from recollections, dreams, and memories. The protagonist dreams of events from his childhood, but the weird dream details bleed through. That’s when you get this image of a giant teddy bear grasping a jumbo jet. The kid is a passenger in the jet.
This is a nice package for a mini-comic. I like the red bleeding edges to the pages and the overall look and feel. Even Kate commented that it looked cool. This is Still America is 22-pages for $2. Email the artist at george@secretacres.com to request a copy.