Showing posts with label Grant Thomas. Show all posts
Showing posts with label Grant Thomas. Show all posts

Sunday, December 21, 2008

Top Ten Mini-Comics of 2008
Man, what a year. Personally, this was an eventful year that both good and bad made me grow as a person. I’m not sure I want to repeat this kind of year again, but I have to admit that I’m better for it. I’m hopeful. Globally and nationally, I’d say the same thing applies - good and bad events of epic proportions - yet we’re still standing and dare I say it, hopeful. Here’s to growth and moving on to 2009.

But before we move on, there are the mini-comics of 2008. I didn’t read as many mini-comics this year as in years past. I didn’t go to MoCCA, SPX, or APE. For the first three quarters of the year, I only reviewed minis sporadically. Still, a ton of mini-comics found their way to the SIZE MATTERS office. I’ve read a stack that I haven’t reviewed yet and there are still several minis in the review pile that I haven’t opened. But when I think back over the year, there are several minis that stand out. Here, in no particular order, are the ten minis that I enjoyed the most in 2008.

Jessica by Jason Overby I hadn’t heard of Jason before this year, but I really, really dig his style and fresh way of communicating with the reader. I don’t think you can get any copies of Jessica, but SOLIPSIST'S DOODLES should still be available from Jason’s blog.

Wigger Haircut by Zach Hazard Vaupen Same thing with Zach. Who the hell is this guy? I enjoyed Wigger Haircut and The Diary of Lisa Frank, but the former gets the nod here because of Zach’s use of color.

Shitbeams on the Loose by Various Artists through Tender Loving Empire was a standout anthology in 2008. House Party by Lane Milburn Everything looks good from ClosedCaption Comics, but I really loved Lane’s House Party.

Nurse Nurse 2 by Katie Skelly I love Nurse Nurse! What a great character. Katie’s playful and sexy style perfectly suits this interplanetary story of a nurse/hero/adventurer. The Legend of Countess Saddenbrau is nothing to sneeze at either.

Selected Comics by James McShane

Over the last few years I’ve always made sure to grab James McShane’s tiny books masquerading as mini-comics. His cramped one panel pages are glued into an impossibly thick binding and they make irresistible objects. Now, James has published a larger format mini that collects selected minis from the period 2003 to 2008. Here are a few images from James’ blog that show the format.
Are You Man Enough by Phil McAndrew A felt mustache on the cover and a 5-page drum solo within? Yeah, that’s a 10 Best Mini.

Rabbit Shadows by Jason Viola

I haven’t reviewed this yet, but it’s a beautiful little mini-comic. Each page features one panel of gorgeously shaded and crosshatched art. Rabbit Shadows is the story of a rabbit mired in the day to day routine of work and TV. Suddenly, while walking, he discovers his shadow and begins to interact with and manipulate it. Jason’s mini clocks in at 44 pages for only $3 and it has a striking brown cover with a Rabbit Shadows sticker pasted in the upper center.

Tegne Issue Two by Various Artists I discovered Tegne through David Birchall (Extricate)

There’s too much going on inside this densely packed collaboration to mention here, but look for a full review in a few weeks.

My Life in Records by Grant Thomas This is still in the review stack, but I’ve enjoyed reading it and can’t wait to share some images with you next week. Stand by for a review of this during Christmas week.

That’s it, the ten mini-comics that stood out for me in 2008. Please give these folks some love and consider purchasing their work. If you are reading this and you read SIZE MATTERS regularly, thank you for sticking around. I’m so grateful that there are people out there who love making mini-comics and I’m grateful that you love to read them.

Have a wonderful holiday, travel safe, and take care of each other. Kate, Chloe, and I are off to Michigan for Christmas this year. I’ll probably squeeze a review of My Life in Records in next week, but other than that the SIZE MATTERS offices will be shut down for the holidays.

Peace, Cheers, and Best Wishes!

Thursday, December 11, 2008

After School Comic Program Needs Support

Mini-comic creator and all around good guy, Grant Thomas shared some info with me about his very cool after school program. “After School Independent Comic Book Creators” lets fifth graders make their own mini-comics. Grant says they will learn about the “screen printing process to produce full color covers for their books. They will need a screen printing kit, ink and colored paper to produce their book.” Here are a few early scans of some of the work.

Barbie vs. Jason Dude The Duck Hunt Sounds awesome, doesn’t it? If you love this idea, the program could really use your support. From the DonorsChoose website:

“Our club needs quality drawing materials, such as bristol board, blue pencils and inking markers, to learn how professional comic book artists make their images… They will need a screen printing kit, ink and colored paper to produce their book.”

Here’s where you can donate. They need $528 dollars for supplies and only need $110 to reach their goal.

BTW, I haven't forgot about issue 3 of Good Minnesotan. Crazy week, but a review of issue three is coming later tonight! Sorry for the delay.

Wednesday, January 31, 2007

mouse cheese cat by Grant Thomas

This is one versatile mini-comic. mouse cheese cat is a tiny (2.75" x 2.5") hand folded and hand cut comic containing many stories. Grant Thomas takes a sheet of paper, folds it, precisely cuts it, then folds it up accordian style. At some point in this process, Thomas draws a very simple story. Well, actually it's two separate stories - one across the top of each page, and one across the bottom. When you unfold the comic, it's almost difficult to keep following the story: other stories in other directions beckon with each new page. I've unfolded it and scanned a portion to give you a rough idea.

Each mini has a nice paper band that slips over it. On the band Thomas has scrawled his signature, the date and the the number of the comic. Mine is number 15 out of 450.

Visit Thomas' website store for your own copy. It's only $3 and Thomas accepts PayPal.

Wednesday, January 03, 2007

My Life in Records

A quick look at Grant Thomas’ My Life in Records would have been timelier two weeks ago. If I was paying attention perhaps I would have noted the subtitle, “Christmas Mini-Comic.” But alas, I’m always a small stack of mini-comics behind…

My Life in Records is a slick 22-page mini featuring a nostalgic cover that hints at a simpler time. Note the masks fastened with rubber bands, the record in young Grant’s hands, and of course, the one piece footie pajamas. This installment of My Life in Records details Thomas’ obsession with Christmas, and a Christmas record in particular. As he tells his story, Thomas fills in little details that resonated with my own childhood: the fascination with the family hi-fi and the one record that he was allowed to play with as a 3-year old. My own record was a Rolling Stones Goats Head Soup, and man those interior cover images made for some tense moments after the lights went out.

While Thomas and his brother look forward to Christmas, Thomas begins playing the Christmas record in July. His mother is outside gardening and hears the music, “Am I hearing what I think I’m hearing.” So Christmas comes early in his house, and Thomas plots the highlights of the weeks leading up to Christmas. His brother is convinced that he will get the “Castle o’ Grayskull” as his gift; in one panel Thomas clutches a Darth Vader figure.

Then somewhat abruptly the story shifts to the next year and the arrival of his sister. The details of his mother leaving for the hospital and the wait for her return are well done. Thomas captures the story from a kid’s eye view, but doesn’t resort to cheap devices or an overly maudlin tone. It feels real.

These strips were originally published as a webcomic, and in many ways they still have that feel. The pages are shiny and slick. The backgrounds are sparse, but spot colors are used to break up the panels in a non-organic way. Pages 8-10 look drawn with a mouse, while other pages appear more hand drawn.

Give Thomas’ work a look at his website.

It looks like you can purchase My Life in Records at his online store for $6. Check out his other work while you're there.