Showing posts with label Tom Gauld. Show all posts
Showing posts with label Tom Gauld. Show all posts

Thursday, November 30, 2006

A Beasts Preview

Here are three preview images from the forthcoming Beasts: A Pictorial Schedule of Traditional Hidden Creatures From the Interest of 90 Modern Artisans. Fantagraphics is releasing this beauty in January, but I couldn't resist sharing a few images here. Rege Jr. and Nilsen have been featured here before for mini-comics, so it's not entirely out of line to post these images at SIZE MATTERS. Plus it's my damn blog and I'm very excited about this book.

Beasts is a 200 page hardcover dreamed up by the talented Jacob Covey. Inside, 90 artists give their take on monsters actually thought to exist at one point. And just maybe some of these creatures do still exist... Each beast gets the full color treatment and on the facing page a short paragraph gives the details.

Tyler Stout

Ron Rege Jr.

Anders Nilsen

Tom at Comics Reporter has more images from Beasts, including Tom Gauld and Mat Brinkman.

Monday, February 20, 2006

Yay, pictures from The Rocketship signing
Over at Beaucoup Kevin, Kevin has posted a Flicker set from the Harkham, Huizenga, Nilsen signing at Rocketship this weekend. Looks like a lot of fun and Rocketship looks like my kind of store. The nicest guy in comics, Gary Panter was in attendance, and it would have been great to hang out with Kevin and Ed. No fear though, this weekend is the Quimby’s event (Saturday the 25th at 7pm). I’ll take my camera this weekend and hopefully post a few shots of the signing and the mini-comics area at Quimby’s.

Also wanted to mention that this morning I noticed a Tom Gauld illustration in the New York Times Sunday Magazine. That was pretty cool. If you haven’t done so yet, go order a bunch of Tom’s comics. You won’t regret it.

Thursday, September 29, 2005

Three Very Small Comics: Volume II by Tom Gauld Well, I’ve finally managed to read a dozen or so of the mini-comics I picked up from SPX this past weekend. Now as I sift through the crate of mini-comics, the first thing that strikes my eye to review is Tom Gauld’s Three Very Small Comics: Volume II. The Three Very Small Comics are tucked into a tiny brown envelope with a sticker on the front.

The first Very Small Comic is “Invasion.” A guy arrives at a foreign land by boat. He meets a lone shepherd and claims the land as his own. The shepherd is nonplussed and offers the invader a meal and warm bed. The invader accepts. The next morning he leaves in his boat promising to return. As he pushes off from shore he’s slain by a hail of arrows.

The story is really that simple. It’s nothing earth shattering, but there’s a subtlety in telling the tale that Gauld has mastered like very few others. Let’s start with the art. The first page features a cross section of a patiently crosshatched sea topped by a flat surface. The only thing breaking up the sea’s surface is the black silhouette of the invader in his dinghy. The sky around him is filled with slashing rain that meets the sea, but the rain remains separate as a background. There’s a clear demarcation between the sea and the rain. It’s visually striking.
After two pages of the invader docking his boat and trudging through the rain, he climbs a hillside and announces to a lonely shepherd, “I hereby claim this land for my king and country.” The shepherd’s response? “OK.” They start making small talk about the land, seemingly oblivious to the driving rain until the shepherd mentions, “The grazing’s good. All the rain you can see.” The invader turns towards the reader, as he considers the constant rain, and replies, “Uh huh.” It goes on like that for sixteen pages until the invader goes down under the barrage of arrows on the second to last page. The combination of Gauld’s sly visual structuring and simple pacing combine effectively, making this mini an understated, but entertaining comic.

And there are two more mini-comics in the envelope! Remember the second and third tier robots from Star Wars and The Empire Strikes Back? In several scenes you could see these boxy little droids and robots in various states of disrepair or maybe slowly trekking from point A to point B. Gaul’s “The Robots Broke Out Of The Factory And Fled As Far As Their Batteries Would Allow” reminded me of those droids. A long thick piece of paper is folded, accordion style, and each page has a drawing of a robot that has run out of juice. The first one, B-7061, is standing in a field with slightly outstretched arms. There’s a bird sitting on its head. A group of robots have expired on another page. Robot TLJ-012 has fallen over on its side. TLJ-009 was able to go about a dozen feet farther, but it’s also managed to stay upright. Inexplicably, robot TLJ-011 has lodged itself in the boughs of a leafless tree.
The last mini included with Three Very Small Comics: Volume II is “Our Hero Battles Twenty-Six Alphabeticised Terrors.” Very Small is a bit of a misnomer here; this one unfolds to a near tabloid sized broad sheet. There are twenty-six panels each containing our hero, sword in hand, facing a new “alphabeticised” foe.
Visit Tom's website Cabanon Press to check out more of Gauld's work. He's got a lot of art samples and he shares the site with Simone Lia.

I had planned on reviewing Drew Weing’s excellent Blar, but Mike Manley beat me to the punch. Mike says, “This might be the nicest comic I bought at the show as a design and production, simple yet elegant. It's oblong format is also cool. I love to see this type of experimentation with formats, something the Babymen always hate. Fuck putting everything in a goddam plastic bag! I also picked up a few other books from Little House Comics that I'll review soon. I look forward to more Blar!” Go read Mike’s full review of Blar and Damien Jay’s Probe.

Look for the a post by Kate tomorrow featuring a couple more reviews of mini-comics she liked and some general thoughts on some she didn’t.